ART AND TECHNIQUE FOR THE INDUSTRIAL RENAISSANCE

AN “Enterprise with awareness and of innovative services” which projects and provides Management Consultancy Services, to search concrete solutions and obtain results which can be measured. It is based on Consultants having the capacity of facing every situation, even the most complex, with a vision of Enterprise-Client together and of the objective which it wants it to obtain.
Characteristics such as curiosity, the critical sense, the capacity to listen and combine, the capacity of continually training oneself, the capacity of recognising and appreciating the interconnection of all the phenomena (systemic thought), are some of the elements which are necessary for the management of a consultancy process.
Our slogan “The Qualified Consultancy to Plan Solutions for Enterprises towards the Next Economy" synthesises our strategy and indicates our ambitious objective: to contribute with our work to resolve the specific problems which the Management faces daily harmonising the technique with the research of solutions which are compatible with a global development which leads all to live a better life.
Planning the artist’s vision in the technique understood as capacity to anticipate) to develop the equilibrium between art and technique, logic and imagination training the brain to possess a great agility to reasoning.
This therefore leads to the link with the world of Art where the Technical Capacity of giving solutions welds itself with the communication of sensations which in the artist’s originality, tend to beauty and harmony of the forms and of the colours.

We wanted to present the Museo d’Arte Contemporanea all’Aperto of the town of Maglione (an array of houses between the province of Turin and Vercelli, not very distant from Cigliano) and four artists who operate in different sectors expressive with various materials and different techniques.
The Open-Air Museum of Contemporary Art of Maglione (O.M.C.A.M.)

Conceived in 1985 from an idea of Maurizio CORGNATI, as non-profit cultural association with operations addressed to the diffusion and promotion of contemporaneous art. The country hosts, on the external facade of houses, on walls and in the squares fresco and acrylic paintings, sculptures, installations; by the end of 2006, the museum counted 164 works of art. The participation of the artists is done by invitation and every year during mid-September the “Festa degli Artisti” is held during which new works are realised and/or inaugurated. The artists present in the museum are of various nationalities: Italian, German, Dutch, Czech, Japanese, Chinese, Irish, Scottish, Uruguay, Brazilian, and American.

WEBSITE: http://www.macam.org
NERI CECCARELLI

Born in Turin in 1962. He has attended the Liceo Artistico, the Academy of Fine Arts and the Faculty of Architecture. He has always dealt with plastic arts. Polyedric and nomad artist ..... almost a double life: artist and sculptor, but also designer, art director for the most important international groups and columnist for some journals.
He opens his studio in 1985 and commences a path of research of forms of art which range from the “habitable sculptures” to the “useful sculptures”, from the “landscape sculptures” to the planning for a private residence. He designs gadgets with an artistic imprint for companies preparing advertising campaigns for enterprises and 1998 sees the birth of the Jurassic sculptures “technological animal fossils”. He exhibits in mass exhibitions of Contemporaneous Art and designs jewellery and objects for the “Art de la Table”. In 2005, he goes back to use the canvas with a series of paintings inspired to figurative elements which are inserted in abstract contexts, de-contextualising daily elements and inserting them in “strips and textures”. His research does not stop at the canvas but he transposes his pictorial experiences to the other realities from which he derives stimulus for his work.

WEBSITE: http://www.neri-ceccarelli.it
GABRIELE GARBOLINO RÙ

Born in Turin in 1974, he is awarded a diploma in sculpture from the Academy of Fine Arts of the same town.
The plastic research of Gabriele Garbolino Rù, orthodox sculptor in the use of traditional sculpture materials, from marble to bronze, from wood to terracotta, deals with a technical knowledge and an attention which certainly is not easily found in today’s young artists.
The sculptures of Garbolino Rù only apparently refer to the classical world, since, when examined closely, the extremes of his culture instead dig the roots in a realism which dates back to the nineteenth century, conceptually transfigured in works which find their intimate quality in the modern use of the fragment.
Very often encountered in the artist’s production is also a “rough” and essential preciousness, due to the original interface or blending of marbles which differ due to chrome, or of different materials such as the metal (bronze or lead) and the marble.

WEBSITE: http://www.garbolinoscultore.it
MARINA MONZEGLIO

Graduate in scenography at the Albertina Academy of Fine Arts of Turin. Between 1980 and 1988 she has taught Artistic Education.
She projects show cases, and carries out interventions of restoration whether upon private or public order.
She uses traditional techniques of workmanship, such as calibrated cut of the stained glass and lead binding and/or Tiffany. With regards to painting on glass, she uses the old techniques of “grisaille” decoration and coloured enamel and heated baking.
The works bearing a contemporaneous expression avail themselves of a compositive and interpretative research which is continuously being renovated, assisted also by the use of innovative techniques.

SITO INTERNET:

ROMILDA SUPPO

Born in Turin, she lives and works in Alpignano. After the secondary school, she learns the first aesthetic rudimentals through the study of the classical artists, giving particular attention to design and sculpture. In fact, her early stages, are informed with the privilege operated with regards to the “all round” production (she has exhibited in the masses of the Cultural and Artistic Piedmont of Turin,  from the Promoter of the Fine Arts of Turin) and in personal exhibitions. Her definite approach to painting has coincided with the choice of a language which is decisively freer, countersigned by a personal re-elaboration of the artistic experiences of the Post Second World War and from the original manipulation of the pictorial materials.

SITO INTERNET: